I have to admit I was nervous about seeing Jackson Browne last Tuesday night. I’ve had a crush on this guy since 1972 and while this was the 17th time I would see him in concert, he hadn’t performed live in Portland in six years. It was Rosh Hashanah, and we had front row center tickets, a pretty religious experience as far as I’m concerned. “Let your illusions last until they shatter,” Jackson warned on his album The Pretender, but some illusions deserve to last, and I didn’t want to see Jackson Browne gone all paunchy and washed out.
Well, nothing to worry about. He’s sixty and still going strong. He played a bunch of hard-hitting new songs, and reinterpreted a lot of his old material in a way that expanded their range rather than (like Dylan often does) just tweaking the audience. Jackson Browne has it all. He’s an excellent musician on both guitar and keyboards and has a great voice. Most of all, he is a superb songwriter. He has a way of conveying deep emotion without cloying sentimentality but also without any irony or remove. He speaks straight to your soul, or mine, anyway. Unlike, say, the Rolling Stones, he’s not trying to be twenty, but he hasn’t lost any of the passion or intensity of his youth. He’s aware of his power to move an audience and he’s not ashamed to use it.
Plus, his hair (yeah, I know its dyed) still hangs in that perfect shock over his eye and he still looks great in his jeans.
waverly acres
May 27, 2009I recently read two interesting articles in the New Yorker, which when merged together would make a great screenplay. They both took place in Florida, a state that fascinates me in its bizarreness. There’s at least three cultures merging together in odd ways down there: the redneck Deep South, Jewish New York, and Latin. There’s a sense of being permanently stuck in the eighties, music and fashion-wise, and a certain lawlessness. Don’t forget the obscenely rich snots living in Palm Beach, the drug dealers in their oceanfront villas, and the elderly people snarfing up their all you can eat earlybird buffets. Add in the hazy humid heat, the wildly colored tropical flowers and thick scratchy grass, and alligators creeping along the canals, and who wouldn’t feel a bit off-kilter?
The first article dealt with exotic animals (exotic animal smuggling is big business in Florida) that have escaped into the wild, primarily during hurricanes. Many of these animals have survived and prospered, in particular iguanas, Nile monitors, and pythons. As greedy housing developers continued draining swampland building more and more remote subdivisions further inland, they’ve encroached on Python territory. The pythons have swallowed animals as large as an alligator; who knows what they could eat next?
The second article dealt with those very subdivisions and how most of them are in foreclosure, disintegrating ghost towns with weeds growing head high in the lawns. Isolated residents live in the largely abandoned subdivisions, usually renters or people way behind on their mortgage and awaiting eviction. I wouldn’t be surprised if you found some people just squatting in the homes. And I’m sure anyone choosing this living situation has an interesting backstory.
So here you have the screenplay. I am really bad at these high concept pitches, but here goes: An unscrupulous developer half-builds a fancy subdivision (Waverly Acres–they all have names more suitable to a British shire than Florida swampland) but then goes into foreclosure and abandons the project. He knows there are pythons in the canals that traverse the subdivision but of course says nothing about it. Various people move in. You’ve got our heroine, the wife of a Wall Street banker in New York City, who, after the collapse of his hedge fund, abandons her and her three children with no money. Familiar with Florida from prior vacations, she snaps up a bargain house–boy, is she in for a surprise. Then maybe you have some working stiff who actually bought one of the houses at full price but then lost his job. He is struggling to hang onto the home but his wife has left him with the kids. Maybe these two will get together. Then you could have some drug dealer hiding out from the law, or Haitian refugees, or teenage runaways–many possibilities, all with their own backstories. Put them all together, add in some hungry pythons, and see what happens.
How does this end? I haven’t decided yet, but I’m inclined to leave Waverly Acres to the pythons.
So when I win my Oscar, or at least make multimillions from the licensed plastic snakes with swallowing capability, you heard the idea here first.
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