When I studied nutrition in college, a strange thing started to happen to me when I ate. I could not longer eat food without an acute consciousness of what was happened to that food as I digested it: proteins breaking down into amino acids; carbohydrates into glucose; all those little molecules floating through my intestinal villi and into my bloodstream.
Forward twenty-five years or so and I take a screenwriting class. Now I can no longer watch a movie without breaking it down into its component parts, stripping away the fat and honing in like an x-ray on the skeleton of the three act structure within.
A three act structure is the basis of all commercial viable screenplays, or so we are taught. To simplify (and three act structures are all about simplification) the first act is where the central conflict is defined and the action gets going, preferably within the first few minutes. During the second act, the action proceeds, but at the end of the second act comes a "reversal", where it looks like the resolution we expect (and probably want) is not going to happen. The third act corrects the reversal and brings about the resolution of the conflict.
We've all seen zillions of examples of this type of movie: the struggling hockey team that wins the championship; the crusty old cowboy that befriends the wayward teen; the team of archaeologists that escapes marauding dinosaurs; the star crosssed lovers that overcome all obstacles to kiss passionately in the middle of a mountain meadow.
The trouble with three act structure is its predictability. Writing by the numbers may (not necessarily) protect against outrageous failures, but the screenplay with never transcend its essential formulaicness. I fail to see the entertainment value of a movie where you can predict all the major plot turns within the first ten minutes. I've got nothing against narrative structure or happy endings per se, but I want to be surprised. Let Godzilla destroy the city. Let the quarterback quit before the big game. Let the bad guy win. Let everybody win. Teach me something about a character that I don't already know; show me that a situation is not what it appears to be. sometimes a three act structure movie partially redeems itself with good acting or cinematography, but it still feels pointless. After watching them I feel like I've wasted two or so hours of my life.
You might ask, what's the big deal? I guess I just don't buy into the concept of "vegging out". I don't find it relaxing, just boring. I might enjoy sitting on a couch now and again, but I am a person, not a potato. Whatever I am doing, whether it be work or play, I prefer to be fully present and engaged. I don't want to zone out. I want to remember where I've been.
Speaking of surprises, I was not in the least surprised that the Department of Homeland Security has been busy tracking our phone calls. PUt it smack in the second act of the major movie of the decade: The Collapse of Democracy.